【参考文献】{1}Lior Zemer, The Idea of Authorship in Copyright,England : Ashgate Publishing Limited, 2007, at107.
{2}B Ghiselin（ed），The Creative Process : Reflectionon Invention in the Arts and Sciences. Berkelev:University ofCalifornia Press, 1952, at5O，转引自Lior Zemer, The Idea ofAuthorship in Copyright, England: Ashgate Publishing Lumit-ed,2007,at117.
{3}M Csikszentmihalyi, Creativity: Flow and the Psy-chology of Discovery and Invention, New York: Harper Peren-nial, 1996, at421-422.
{4}罗伯特·P·墨杰斯，等．新技术时代的知识产权法[M]．齐筠，等，译北京：中国政法大学出版社，2003:660-661。
{5}Pamela Samuelson, Mapping the Digital Public Do-main: Threats and Opportunites, 66 Law &Contemp. Probs.170(2003)．
{6}Mark A. Lemley: Property, Intellectual Property,and Free Riding,83 Tex. L. Rev. 1031,1067(2005）．
{7}劳伦斯·莱斯格．思想的未来[M]．李旭，译．北京：中信出版社，2004:210。
{8}Carol. M. Rose, Romans, Roads, and RomanticCreators: Traditions of Public Property in the InformationAge. 66 Law &Contemp. Prob. 103(2003)．
{9}A. Chander＆M. Sunder, The Romance of the Pub-lic Domain, 92 Cal. L. Rev. (2004 )1352.
{10}黄汇．版权法上的公共领域研究[J]．现代法学，2008(3):46。
{11}Asbley Packard, Copyright Term Extensions, thePublic Domain and intertextuality, 10 J. Intell. Plob. L. 21(2002-2003)．
{12}W J Gordon, Authors, Publishers，and PublicGoods：Trading Gold for Dross，36 Loyola of Los Angeles LawReview, 159(2002)．
{13}希利斯·米勒．文学死亡了吗？[M]秦立彦，译．桂林：广西师范大学出版社，2007:12。
{14}Peter Jazsi, Toward a Theory of Copyright: TheMetamorphoses of“Authorship”，Duke L. J. 497-502（1991）．
{15}卡拉·赫茜．知识产权的兴起：一个前途未卜的观念（二）[J]金海军，钟小红，译．科技与法律，2007(2)：65。
{16}AL Durham, The Random Muse : Authorship andIndeterminacy'' 44（2002）William &Mary Law Review 569，618.
{17}J Boyle, Shamans, Software, and Spleens：Lawand the Construction of the Information Society, CambridgeMA：Harvard University Press, 1996, at1 14.
{18}约翰·冈茨和杰克·罗切斯特．数字时代，盗版无罪？[M]．周晓琪，译北京：法律出版社，2008: 31。
{19} David Lange, At Play in the Fields of theWorld：Copyright and the Construtction of Authorship in the Post－Literate Millennium, 55 Law＆Contemp. Probs. 145,1992.
{20}Jessica Litman, The Public Domain, 39 Emory LawJournal969 (1990)．
{21}Richard M. Stallman, Free Software，Free Socie-ties 57( Joshua Gay, ed 2002)．
{22}Lawrence Lessig, Free Cultrue：How Big Media U-ses Technology and the Law to Lock Down Culture and ControlCreativity. the Penguin Press, New York, 2004，at18.
{23}保罗·戈斯汀．著作权之道—从古登堡到数字点播机[M]．金海军，译．北京：北京大学出版社，2008 :11。
{24}J. M. Garon, Normative Copyright : A ConceptualFramework for Copyright Philosophy and ETHICS'' (2003）88Cornell Law Review1278,1283.
{25}A. Robinson, The Evolution of Copyright 1476－1776，67 Cambrian Law Review（1991）．
{26}寿步，方兴东，王俊秀．我呼吁[M]．长春：吉林人民出版社，2002: 198。
{27}吴汉东，等．知识产权基本问题研究[M]．北京：中国人民大学出版社，2006:37；张玉敏中国殴盟知识产权法比较研究[M]．北京：法律出版社，2005:8-10。
{28}James Boyle, The Second Enclosure Movement andthe Construction of the Public Domain, 66 Law &Contemp.Prob. 42 (2003）．
{29}Neil Weinstock Netanel, Copyright and a Democrat-ic Civil Soceity , Yale Law Journal, 106 (1996 )．
{30}刘茂林．知识产权法的经济学分析[M]．北京：法律出版社，1996:129。
{31}James Boyle, Cruel, Mean, or Lavish?：EconomyAnalysis Price Discrimination and Digital Intellectual Proper-ty, 53 VAND. L. REV. 2007(2000)．
{32}R. David Kryder, ed al.，The Intellectual andTechnical Property Components of Pro-vitamin A Rice: APreliminary Freedom-to-Operate Review, available at ht-tp//:www. isaaa. org/Pubhcations/briefs/Brief/. 20. htm. lastvisited 2008-03-11.
{33}Michael A. Heller＆Rebecca S. Eisenberg, CanPatents Deter Innovation? The Annticommons in BiomedicalResearch, Science, 698, May 1 , 1998，转引自James Boyle,The Second Enclosure Movement and the Construction of thePublic Domain,66 Law &Contemp. Prob. 44(2003）．
{34}Jane C. Ginsburg,“Une Chose Publique”？Theauthor''s Domain and the Public Domain in Early British,French and US Copyright Law，65 The Cambridge Law Journal638 (2006)．
{35}James Boyle, The Opposite of Property? 66 Law&Contemp. Prob.5 (2003)．
{36}Ronan Deazley, Rethinking Copyright-History,Theory, Language, Edward Elgar Publishing Limited, 2006，at 160.
{37}徐瑄．知识产权的正当性—论知识产权的对价与平衡[J]．中国社会科学，2003(4) :149。
{38}John Frow, Public Domain and Collective Rights inCultural Rights in Culture，13INTELL. PROP. J. 39 , 39-40
{39}托马斯·霍伦．逻辑信息论—信息法琐记[G]//刘芝秀，译．周林．知识产权研究（第18卷）．北京：知识产权出版社，2007:46。
{40}Hearing on H. R 2281 and H. R2280 Before theSubcomm, on Court and Intellectual Property of the HouseComm.， on the Judiciary 105th Cong.（1997) , at 208
{41}劳伦斯·莱斯格．代码—塑造网络空间中的法律[M]．李旭，译．北京：中信出版社，2004:157。
{42}David Lange, Recognizing the Public Domain, 44Law＆Contemp. Probl47 (1981）．
{43}尹田．
物权法的方法与概念法学[EB/OL][2010-9-11]http//www. gtzyzcfl. com. en/news. asp? id＝1919。
{44}迈克尔·盖斯特．为了公共利益—加拿大版权法的未来[M]．李静，译．北京：知识产权出版社，2008:319，注释11。
{45}林懿萱，庄庭瑞．现行著作权体制下的弹性授权模式：谈Creative Commons [ J ]．智慧财产权月刊，2006,(76) :28-45。
{46}虞文祥．从著作财产权授权利用之困境探讨创作共享机制之推展[J]．东吴法律学报，1994(2) :11-24。
{47}欧洲专利局．未来知识产权制度的愿景[M].郭民生，等，译．北京：知识产权出版社，2008:49。
{48}Niva Elkin-Koren，Exploring Creative Commons:A Skeptical View of a Worthy Pursuit[G_．//L. Guibault andP. B. Hugenholtz（eds)，The Future of the Public Domain,Kluwer Law International.，Netherlands 2006 , at326
{49}张永强，等．从我国著作权法探讨Creative Com-mons之应用与发展[J]．科技法律透视，2005(5):10。
{50}verine Dusollier , Mapping the public domain in in-tellectual property: Beyond the metaphor of a domain, WorkingPaper, 28 June (2006)．
{51}普拉蒂普·N．托马斯，简·瑟韦斯．亚洲知识产权与传播[M]．高蕊，译．北京：清华大学出版社，2009:167。
{52}罗纳德. V贝蒂格．沈国麟．韩绍伟，译．版权文化—知识产权的政治经济学[M]．北京：清华大学出版社，2009：100。
{53}保罗·爱德华·盖勒．版权的历史与未来：文化与版权的关系[G]//李祖明，译．郑成思．知识产权文丛（第6卷）．北京：中国方正出版社，2001:303 -304。
{54}Malla Pollack, Asserting Copyright’s DemocraticPrinciples in the Global Arena，Vanderbilt Law Review, 51（1998) :217-329.
{55}威廉·W．费舍尔．说话算数—技术、法律及娱乐的未来[M]．李旭，译．上海：上海三联出版社，2008:220。
{56} Michel Foucalt, What'' s author？in Robort C. Davis＆Ronald Scheifer, Contemporary Litarary Criticism: Literyand Culturies Studies 274( Longman, 1989)．
{57}Negativland, Two Relationships to A Cultural Pub-lie Domain, 66Law and Contemporary Problems239-242(2003）．
{58}洛根，斯托克司．合作竟争-如何在知识经济环境中催生利润[M]．陈小全，译．北京：华夏出版社，2005:24。
{59}张平．论网络环境下著作权许可模式的变革[EB/OL][2010-01-01 ]. http// www冯晓青知识产权网。
{60} Edward Samules, the Public Domain Revisted, Loy-ola of Los Angeles Law Review, Vol 36 (2002) :393.
